First published in 1953 by Twayne as a Hardback

First published as a serial (in Unknown Worlds Magazine, April 1943) it was released as a novel in 1953 and is apparently the same as the magazine version except for the post war (atomic bomb for example) references. The novel also formed part of a hardcover book called Witches Three along with There Shall be no Darkness (James Blish) and The Blue Star (Fletcher Pratt).

Notable editions: Gregg Press released a HB with an introduction by Foster Hirsch and Charles L Grant.

Conjure Wife reviews & articles

Review by Scott Lazarus

Review at Blog Critics

Review at tethyan books

The Black Gate looks at the art of Conjure Wife

Review at Classic Horror

All that’s mine is yours? at Ethos.

Conjure Wife, reviewed by David Pringle.

Fritz Leiber (born 1910) is a master of modern supernatural horror fiction. The traditional backcloths of Gothic horror tales – crumbling castles amidst dark woods, lonely mansions on windswept moors – are not for him. His stories are usually set in the cities and towns of contemporary America, and they concern bright up-to-the-minute people whose lives are shockingly disrupted by inexplicable terrors. Other writers have followed his example (they include such commercially successful authors as Ira Levin and Stephen King) but Leiber was there first, the pioneer. Conjure Wife was originally published in Unknown Worlds in 1943. The expanded text of the book version contains a number of references to atomic bombs and other post-1945 phenomena, but essentially it is the same tale as first horrified and delighted the wartime readers of John W. Campbell’s magazine.

The plot concerns witchcraft in a university campus setting. Norman Saylor, a youngish professor of sociology, discovers that his wife, Tansy, has been performing “Negro conjure magic” in secret. She collects nail-clippings, hair, horseshoe nails, even graveyard dirt – and uses these items, together with other potent detritus, to make charms which will ward off ill-luck and evil influences. Norman is a rational academic and the author of a book entitled Parallelisms in Superstition and Neurosis. He is appalled by this evidence of primitive behaviour in his own household and begs Tansy to abandon her childish nonsense. She puts up a spirited fight, but eventually gives in, and together they destroy all her magical paraphernalia. Immediately, things start to go badly wrong for Norman in his day-to-day work. A failed student threatens him with a gun, a girl accuses him of molesting her, and the college authorities begin to question minor irregularities in his private life…

Tansy reveals that she is not the only “witch” on campus. For years she has been protecting her husband from the malicious attentions of other faculty members’ wives. A coven of older women has been running local affairs, and now they intend to destroy Norman’s career. They are attacking him in various ways – not least through his wife, who is now open to the malign effect of all their spells. When Tansy becomes hag-ridden by a demon which is intent on stealing her soul, Norman is forced to drop all his prejudices and learn the skills of that same “conjure magic” which he once disdained. Only thus can he save his wife from being turned into a zombie – and simultaneously save his own job and academic reputation. Eventually he turns the tables on the university’s monstrous matrons by a combination of arcane lore and modern academic know-how.

Conjure Wife is a frightening and at the same time amusing novel, based on the paranoid male’s notion that all women are really witches. It has dated in certain obvious ways – one is much more aware nowadays of the sexism and racism implicit in the whole basis of the narrative – but nevertheless it remains a highly original, and seminal, tale of the supernatural. It may even have a strong appeal for female readers, since one can view the novel’s central conceit as a quite deliberate attempt to undermine the whole business of masculine intellectual dominance: it adds up to a comic-horrific dream revenge by women on overweening male pride.